PDF The John Marshall Eview of Intellectual Property. McLeod and Peter DiCola are the authors of Creative License: The Law and Culture of Digital Sampling, also published by Duke University Press. Rudolf Kuenzli is Professor of Comparative Literature and English at the University of Iowa, where he is the Director of the International Dada Archive. Kindle e-Readers Free Kindle Reading Apps Kindle eBooks Kindle Unlimited Prime Reading Deals on Kindle eBooks Free Kindle Reading Apps Kindle eBooks Kindle Unlimited Prime Reading Deals. Cutting Across Media: appropriation art, interventionist collage, and copyright law by Kembrew McLeod (Editor); Rudolf Kuenzli (Editor) Call Number: K1420.6 C888 2011 Publication Date:. Artist talk for his UIMA art show, ―Part of the Permanent Record: Photos From the Previous Century.‖ Ida Cordelia Beam Distinguished Visiting Professorships Program. (2008). ,462 to fund the University of Iowa Museum of Art show, ―Two Turntables and a Microphone.‖ Oster Folklore and Folk Music. THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW REDISCOVERING CUMULATIVE CREATIVITY FROM THE ORAL FORMULAIC TRADITION TO DIGITAL REMIX: CAN I GET A WITNESS? GIANCARLO F. FROSIO ABSTRACT For most of human history, the essential nature of creativity was understood to be cumulative and collective. This notion has been largely forgotten by modern policies that regulate creativity.
The contributors to Cutting Across Media focus on collage and appropriation art, exploring the legal ramifications of such practices in an age when private companies can own culture using copyright and trademark law. Examining the intersections of the popular and the avant-garde, each essay is implicitly or explicitly concerned Title Cutting across media : appropriation art, interventionist collage, and copyright law / edited by Kembrew McLeod and Rudolf Kuenzli. Format. IUCAT is Indiana University s online library catalog, which provides access to millions of items held by the IU Libraries statewide.
Kembrew McLeod is an independent documentary filmmaker and an associate professor of communication studies at the University of Iowa. . The Law and Culture of Digital Sampling, as well as the co-edited the anthology Cutting Across Media: Interventionist Collage, Appropriation In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris. About Kembrew McLeod, aka RoboProfessor. Kembrew McLeod is a Professor of Communication Studies at the University of Iowa and an independent documentary producer. A prolific author and filmmaker, he has written and produced several books and documentaries that focus on popular music, independent media and copyright. Duke University Press - Cutting Across Media. Cutting across media : appropriation art, interventionist. Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law: Amazon.de: Kembrew McLeod, Rudolf Kuenzli: Fremdsprachige Bücher.
Ambiguity and Theft Cutting Across Media: Appropriation. SelectedWorks - Kembrew McLeod. Speech of Minister Gilberto Gil at the First Session of the Intergovernmental Committee of the Convention on the Protection and Promotion of the Diversity of Cultural. Kembrew McLeod is a Professor of Communication Studies at the University of Iowa and an independent documentary producer. A prolific author and filmmaker, he has written and produced several books and documentaries that focus on popular music, independent media and copyright. Cutting Across Media : Appropriation Art, Interventionist. There is no music industry. There are many industries with many relationships to music. Jonathan Sterne teaches in the Department of Art History and Communication Studies and the History and Philosophy of Science Program at McGill University. Kembrew McLeod Communication Studies College of Liberal. Cutting across media appropriation art interventionist collage and copyright.
€œReflecting both McLeod’s spirited cultural critique and Kuenzli’s interdisciplinary approach to the arts, Cutting Across Media explores diverse forms of collage and appropriation in music, painting, publishing, spoken broadcasts, poetry, and narrative. In this collage of essays, readers are challenged to rethink notions of intellectual. Craig Baldwin (born 1952) is an American experimental filmmaker.He uses found footage from the fringes of popular consciousness as well as images from the mass media to undermine and transform the traditional documentary, infusing it with the energy of high-speed montage and a provocative commentary that targets subjects from intellectual property rights to rampant consumerism. Cutting Across Media Appropriation Art, Interventionist. Get this from a library! Cutting across media : appropriation art, interventionist collage, and copyright law. Kembrew McLeod; Rudolf E Kuenzli; -- The contributors to this book focus on collage and appropriation art, exploring the legal ramifications of such practices in an age when private companies can own culture using copyright. Despite Clover s remarks—he is after all, commenting upon the often problematic interactions between legal and aesthetic codes of ownership/theft—Cutting Across Media is notable in the insight it provides into hip-hop and rap s participation in appropriation art and collage culture. 4c. Copyright, Fair Use, and Appropriation - Research Process. Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law (2011-08-05) Unknown ISBN: Kostenloser Versand für alle Bücher mit Versand. Cutting Across Media Résumé In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres.
In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris Ofili, in hip-hop and the compositions of Béla Bartók and Zoltán Kodály, and in audio mash-ups. PDF Department of Communication Studies, University Cutting Across Media: Appropriation Art, Interventionist. Academia.edu is a platform for academics to share research papers. In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres.
There Is No Music Industry - University of Michigan. We are looking for critical and accessible essays about popular culture, fan studies, technology, and online culture. pitch Reflecting both McLeod s spirited cultural critique and Kuenzli s interdisciplinary approach to the arts, Cutting Across Media explores diverse forms of collage and appropriation in music, painting, publishing, spoken broadcasts, poetry, and narrative. In this collage of essays, readers are challenged to rethink notions of intellectual. CUTTING ACROSS MEDIA: Appropriation Art, Interventionist. Examining the intersections of the popular and the avant-garde, each essay is implicitly or explicitly concerned with the politics of appropriation art and other forms of collage that intervene in popular media discourses. Cutting Across Media features some important, eye-popping archival pieces, along with new essays by leading academics. Cutting Across Media is both a serious examination of collage and appropriation practices and a celebration of their transformative political and cultural possibilities. Contributors. I Read A Book: Cutting Across Media: Appropriation.