The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth brought her international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Seeing Sarah Bernhardt: Performance and Silent Film. By Victoria Duckett. Women and Film History International series. Champaign: University of Illinois Press, 2015; pp. 248. Among the most celebrated stage actresses of all time, Sarah Bernhardt became the point of comparison for other thespians of early-twentieth-century popular culture. Yet, Bernhardt’s lasting celebrity has spawned. Seeing Sarah Bernhardt by Victoria Duckett is available. Seeing sarah bernhardt by victoria duckett. Sarah Bernhardt was one of the first well-known actresses to turn to moving pictures, proving that the movies could be taken seriously by major artists and attracting an audience cinema had not had before. Film historians have dismissed these films as filmed theater, but Victoria Duckett demands we take a closer. Victoria duckett (@vicduckett) Twitter. Books online: Seeing Sarah Bernhardt: Performance and Silent Film (Women Film History International), 2015, Fishpond.co.uk Seeing Sarah Bernhardt, Victoria Duckett - Shop Online for Books in the United Kingdom. Seeing Sarah Bernhardt by Victoria Duckett is available in these libraries · OverDrive (Rakuten OverDrive): eBooks, audiobooks and videos for libraries The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international acclaim. Bernhardt s fame, however, is rarely associated with silent film. This article explores the c. The Actress-Manager and the Movies: Resolving the Double Life of Sarah Bernhardt - Victoria Duckett A Choice 2016 Outstanding Academic Title. This book explores the most famous stage actress of the nineteenth century, Sarah Bernhardt. Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth brought her international. Project MUSE - Seeing Sarah Bernhardt: Performance and Silent. Seeing Sarah Bernhardt: Performance and Silent Seeing Sarah Bernhardt: performance and silent
Sarah Bernhardt was one of the first well-known actresses to turn to moving pictures, proving that the movies could be taken seriously by major artists and attracting an audience cinema had not had before. Film historians have dismissed these films as filmed theater, but Victoria Duckett demands we take a closer look. In our era of hybrid. Seeing Sarah Bernhardt: Performance and Silent Film. By Victoria Duckett. (Women and Film History International.) Urbana: University of Illinois Press, 2015. xii + 231 pp., ill. When Victoria Duckett writes that the margins of film are central to my project (p. 22)it is not just a throwaway claim but an expression of the paradoxes informing both her object of study and her approach. Camille: The Ladies of the Camellias - University Press. Sarah Bernhardt is the most famous actress of the late nineteenth century stage. Celebrated by an emerging and very vocal group of young female workers and artisans in her native Paris in the late 1860s and the 1870s called les saradoteurs (Rueff 1951, 48-49; Bernhardt 1923, 290), she went on to become the most popular actress of her generation in Europe, North America, and Australia.
Get this from a library! Seeing Sarah Bernhardt : performance and silent film. Victoria Duckett -- The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth brought her international acclaim. The triumph. Placing Bernhardt at the center of the industry s first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film s qualities. Instead, cinema. Victoria Duckett is senior lecturer in Screen and the Director of Entertainment Production at Deakin University, Melbourne. She has published extensively on actresses, archives, and early film. Her book, Seeing Sarah Bernhardt: Performance and Silent Film (University of Illinois Press, 2015) was named a 2016 Choice Outstanding Academic Title.
By Victoria Duckett Abstract The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth brought her international acclaim. Seeing Sarah Bernhardt by Victoria Duckett, 9780252081163, available at Book Depository with free delivery worldwide. We use cookies to give you the best possible experience. By using our website you agree The Actress-Manager and the Movies: Resolving the Double. Seeing Sarah Bernhardt : performance and silent film. Victoria Duckett Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for Contacts Search for a Library. Create name Seeing Sarah Bernhardt : performance and silent film ; schema:. These are the questions that Victoria Duckett examines in Seeing Sarah Bernhardt: Performance and Silent Film. In Duckett s own words: My work is driven by the practical need to contextualize and explain Bernhardt s popular success on film even (or particularly) given UI Press Victoria Duckett Seeing Sarah Bernhardt. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries—and changed the very act of watching film. Victoria Duckett is a lecturer in media studies and director of the undergraduate program in entertainment studies at Deakin University, Melbourne. Sarah Bernhardt was born Henriette-Rosine Bernard at 5 rue de L École-de-Médicine in the Latin Quarter of Paris on 22 or 23 October 1844. She was the illegitimate daughter of Judith Bernard (also known as Julie and in France as Youle), a Dutch Jewish courtesan and prostitute with a wealthy or upper-class clientele. The latest Tweets from victoria duckett (@vicduckett). Senior Lecturer @Deakin, Melbourne, working in media studies, theatre and performance studies. Author of Seeing Sarah Bernhardt: Performance And Silent Film Melbourne. (PDF) Seeing Sarah Bernhardt: Performance and Silent. Seeing Sarah Bernhardt: Performance and Silent Film VICTORIA DUCKETT . Series: . Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film s qualities. . Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed Amazon.com: Seeing Sarah Bernhardt: Performance and Silent. Duckett s excellent skills as a researcher and a writer shine through. Seeing Sarah Bernhardt therefore not only adds much needed context and analysis to the performances of the legendary Bernhardt, but it also shows the promise of intermedial research. --Theatre Journal Addresses the chasm in criticism between a lionizing of Sarah Bernhardt s stage work on one hand, and the dismissal. Sarah Bernhardt - Dangerous Women Project. Sarah Bernhardt - Women Film Pioneers Project. Seeing Sarah Bernhardt: Performance and Silent Film on JSTOR. Victoria s most recent book, Seeing Sarah Bernhardt: Performance and Silent Film, was named a Choice Outstanding Academic Title in 2016. She is currently working on a monograph that explores the importance of the French nineteenth century stage actress to the development of global celebrity and media industries. Seeing Sarah Bernhardt: Performance and Silent Film. By Victoria Duckett. Urbana: University of Illinois Press, 2015. xii + 248 pp. .00 paper. Sarah Bernhardt, an internationally known actress who toured the world to great acclaim in the late nineteenth century, was perhaps best known for her golden voice. In the early twentieth century she embarked on a journey into the world Seeing Sarah Bernhardt : Victoria Duckett : 9780252081163.
Duckett s excellent skills as a researcher and a writer shine through. Seeing Sarah Bernhardt therefore not only adds much needed context and analysis to the performances of the legendary Bernhardt, but it also shows the promise of intermedial research. Victoria Duckett Modernism / Modernity Print+.
Seeing Sarah Bernhardt Victoria Duckett Published by University of Illinois Press Duckett, Victoria. Seeing Sarah Bernhardt: Performance and Silent.
Film historian Victoria Duckett celebrates the transgressive and dangerous career of 19th century actress Sarah Bernhardt. Seeing Sarah Bernhardt by Victoria Duckett · OverDrive.
Seeing Sarah Bernhardt: Performance and Silent Film (Women Film History International) Victoria Duckett on Amazon.com. FREE shipping on qualifying offers. The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international.
Buy Seeing Sarah Bernhardt: Performance and Silent Film (Women Film History International) by Victoria Duckett (ISBN: 9780252039669) from Amazon s Book Store. Everyday low prices and free delivery on eligible orders.
A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries—and changed the very act of watching film. Victoria Duckett is a lecturer in media studies and director of the undergraduate program in entertainment studies at Deakin University, Melbourne. She is the coeditor. Placing Bernhardt at the center of the industry s first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film s qualities. Instead, cinema s substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. Localizing Sarah Bernhardt: Exploring celebrity reception.
Seeing Sarah Bernhardt, Victoria Duckett - Shop Online. Victoria Duckett painstakingly fills part of the critical void on the Divine Sarah with a book that brings an intermedial perspective to Bernhardt s legacy on film between 1900 and 1918, taking into account both her work in the theatre as an actress and stage manager, and her deep connection to art nouveau in design, painting, and even acting.
This chapter examines how Camille adapted and changed the speed, structure, and meaning of Sarah Bernhardt s live play. La Dame aux Camélias was a film made by the French Film d Art in late 1911 and released to French, American, and English audiences in early 1912. In America, Canada, and Mexico, it was released as Camille and sold with Madame Réjane s Mme. Sans-Gêne on a states rights.
Our latest blog from a stipend holder comes from Australian scholar Dr Victoria Duckett of Deakin University, who explores our collection of material on Sarah Bernhardt and other theatre actresses working in early film. I would like to thank the BDC Museum for the international stipend which made my month of research (in January 2018) possible.